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Thomas is an author, and thus, specializes in abilities that uses words and transforming them into certain phenomena. She is noted for being one of the most powerful authors in the Harmonic Divine States due to her status as the inheritor of the name of William Shakespeare, one of the most famous writers and playrights in the world of his time, and her abilities reflect this legacy as she employs the original Shakespeare's works in combat.

Tsirhc-Style Divine Ability: Lord Chamberlain's Men (宮内大臣一座, Kyuunaidaijin Ichiza, lit., "Chamberlain's Party") - A collection of Divine Abilities which transform the works of William Shakespeare into abilities that can be used in combat. The user of the ability assigns a particular person as part of a "cast" of a particular play and forces that person to perform the role assigned to him/her. The effects of this spell can only be removed by the user of the ability. The abilities under Lord Chamberlain's Men all require an immense amount of ether to use, and is only usable due to Thomas Shakespeare's Mortal Sin Armament Aspida Phylargyria. The abilities under Lord Chamberlain's Men include:

The Second Tragedy: Macbeth ( 第二悲劇「マクベス」, Dai ni higeki "Makubesu") - A chosen target is given the role of Macbeth, which in the play of the same name will kill his king. In this case, the target will be forced to kill his superior if he approaches him/her.

The Fourth Tragedy: King Lear (第四悲劇「リア王」, Dai yon higeki "Ria-ō") - Referred to be Shakespeare's strongest spell as the supreme tragedy, this spell allows her to summon a towering image of King Lear, who wields a pair of swords.

Comedy: Much Ado About Nothing (喜劇「空騒ぎ」, Kigeki "Karasawagi") - Creates a large zone that isolates chosen enemy targets and forces them to fight her allies to escape.

Mortal Sin Armament: Aspida Phylargyria (Greek: Ασπίδα Φιλαργυρία, lit., "Shield of Avarice"; Japanese: 拒絶の強欲, Kyouzetsu no Gouyoku, lit., "Avarice of Rejection") - Thomas uses the Mortal Sin Armament that symbolizes the sin of avarice to empower herself with additional ether based on the pain she experiences, whether through physical wounds or mental anguish.